The OPLESCENT FICTION proposal is located at the ceilings of the lobbies at Wilfrid-Pelletier Theater at Place des Arts Complex in Montreal. Built in 1963, it is today the largest multifunctional stage in Canada that regularly presents ballet, opera and music. In its lobbies one finds its original palette recently restored: the theatrical red of the carpet in complementarity with the gilds of the sculpture “The Radiant Angels” of Archambault and the golden curtain of the Piano Mobile hall.

The OPALESCENT FICTION proposal is based on the juxtaposition of two concepts: a reinterpretation of the shape and colours of a stage curtain and the immateriality of the light of the reflectors. Both use reds and the gold that is found in the lobbies.

Following the circular shape of the building and attached to the existing rails, 21 luminaries are dressed by suspended sculptures composed of two faces. The first one: a golden screen in diagonal towards the wall of the stage, consisting of a series of brass chains suspended from a linear structure attached to the existing beam. The second side: a red plexiglass screen in reverse diagonal that hides the lighting devices.

The OPALESCENT FICTION piece offers several kinds of experiences. From a distance, these sculptural chandeliers act as points of reference and rhythm in the theatrical atmosphere of the halls. From near, with its golden metallic textures and its transparent red diffusing and reflecting the light, OPALESCENT FICTION establishes a dialogue and highlights the other pieces of art. And in the collective imagination, the piece contributes to reinforce the modern architectural character of the building.

ELEMA worked with Mr. Carbajal to specify the structure of the work as well as the ceiling anchors to the existing building.